Sales & Services RGBeatz +1431-969-441-6600
STANDART LEASE

THIS AGREEMENT, made and entered into on the %ORDER DATE% serves as a legally binding contract between Ilja Djomins (RGbeatz aka ID Gottank) (“Licensor”) and %YOUR NAME% (“Licensee”). This agreement grants the Licensee non-exclusive rights to the Instrumental named “%BEAT_NAME%” (“Instrumental”). All licenses are non-refundable and non-transferable.

Master Recording

The Licensor hereby grants the Licensee the right to record vocal and/or Instrumental synchronization to any or all parts of the Instrumental. The Licensee understands that their non-exclusive usage of the Instrumental is limited to one (1) new composition and if the Licensee wishes to use the Instrumental in other new compositions, then the Licensee must obtain another license to use the Instrumental from the Licensor. The Licensee is allowed to edit the Instrumental by changing the arrangement of the Instrumental or by removing/adding any melodies and/or instruments.

Profitable Distribution

The Licensee is limited to distribute one (1) version of the Master Recording for profitable use. The Licensee is limited to a distribution of three thousand (3000) copies of the Master Recording, which can be distributed on any kind of recording media including, but not limited to: compact discs, DVDs, VHS videos, and all other forms of media (online and/or offline). With one (2) years from date leased beat was purchased to distribute until having to renew lease agreement. Non-profit usage is still allowed after the license have been fulfilled. The Licensor expressly forbids resale or other distribution of the Instrumental, either as they exist or any modification thereof.

Performance Rights

The Licensor hereby grants to Licensee a non-exclusive license to use the Master Recording in limited profit performances, shows or concerts. The Licensee is allowed to earn up to one thousand ($1000) in total through live performances, shows or concerts.

Synchronization Rights

The licensee is not allowed to get profitable radio-, video- or television-airplay. Licensee is allowed to earn up to one thousand (1.000$) through monetized (profitable) videos (e.g Youtube, Vimeo etc.) and audio streams such as Spotify/Apple Music, etc

Audio Samples

If a beat contains sampled material, the sample-clearing of itself needs to be done by the Licensee.

Ownership

The Licensor maintains 100% full rights (copyright and ownership) of the Instrumental, and can continue to sell it non-exclusively and/or exclusively. The Licensee has neither the right nor authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another individual purchases exclusive rights to your licensed Instrumental you will retain your non-exclusive rights under the limitations listed in this agreement and until these terms have been fulfilled.

Credit

The Licensee must give production credit to the Licensor for any and all distributed material (also on online platforms). This can be done in or on the CD booklet or outside cover, in the song or video descriptions. The Licensee must give production credit to the Licensor as “RGbeatz” (e.g. “Beat prod. by RGbeatz (www.rgbeatz.com)” or “Beat by: RGbeatz (www.rgbeatz.com)”).

Licensee must supply the Licensor with at least one (1) copy of each final recording made using the Instrumental (download link to rgpbeatz@gmail.com).

By receiving this contract via email, you automatically agree to the terms stated above and gain non-exclusive rights to the Instrumental.

PREMIUM LEASE

THIS AGREEMENT, created and agreed upon on the %ORDERDATE% serves as a legally binding contract between Ilja Djomins (RGbeatz aka ID Gottank) (“Licensor”) and %YOUR NAME% (“Licensee”). Said agreement gives the Licensee non-exclusive rights to the Instrumental called “%BEAT NAME%” (“Instrumental”).

Master Recording

The Licensor hereby gives the Licensee the right to record vocal and/or Instrumental additions to any or all parts of the Instrumental. Non Exclusive usage of the Instrumental under this lease is limited to two (2) new compositions. For further use, an additional lease must be conducted in order remain with the regulation of the use of the Instrumental. commercial use. All licenses are non-refundable and non-transferable.

 

Profitable Distribution

The Licensee is restricted to two (2) versions of the Master Recording for profitable use and distribution. The Licensee is limited to a distribution of ten thousand (10,000) copies of the Master Recording, which can be distributed on any kind of recording media including, but not limited to: compact discs, DVDs, VHS videos, and all other forms of media (online and/or offline). This is effective from the date the Instrumental is purchased until the renewal or cancellation of the lease agreement. Non-profit usage is still allowed after the license has been fulfilled. The Licensor expressly forbids resale or other distribution of the Instrumental, either as is or any modification being sold in the same capacity as the Licensor for others to lease.

Performance Rights

The Licensor hereby grants to License an non exclusive license to use the Master Recording in performances, shows or concerts wherein profits are limited. The Licensee is allowed to earn up to two thousand ($2000) in total revenue through live performances, shows or concerts.

 

Synchronization Rights

Licensee may use Instrumental(s) in public performances such as both profitable live shows and monetized (profitable) videos (e.g. Youtube, Vimeo etc.), as well as profitable TV- and Radio-Airplay or video/audio streams such as Spotify/Apple Music, etc. Licensee is allowed to earn up to two thousand ($2,000) in total through public performances such as live shows or monetized videos.

In the case of TV-, radio-airplay or video/audio streams, licensee is allowed to have their song played on rotation on one and only one (1) station, be it radio stations, TV-stations or stream-based services such as Spotify or digital internet radio-stations. Licensee is allowed to earn four thousand dollars ($4,000) in total through these allowed rotations, besides the allowed sales limits for song sales and/or public performances such as live shows or monetized videos.

 

Audio Samples

If an Instrumental contains sampled material, the sample-clearing itself needs to be done by the Licensee.

Ownership

The Licensor maintains 100% full rights (copyright and ownership) of the Instrumental, and can continue to sell it non exclusively and/or exclusively. The Licensee does not have the right or authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another individual purchases exclusive rights to your licensed Instrumental you will retain your non exclusive rights under the limitations listed in this agreement up until the end of your lease.

Credit

The Licensee must list the Licensor in the credits for any and all distributed material (also on online platforms). This can be done in or on the CD booklet or outside cover, in the song or video descriptions. The Licensee must give production credit to the Licensor as “RGbeatz” (e.g. “Beat prod. by RGbeatz (www.rgbeatz.com)” or “Music prod. by: RGbeatz (www.rgbeatz.com)”).

Licensee must supply the Licensor with at least one (1) copy of each final recording made using the Instrumental (download link to rgpbeatz@gmail.com).

By receiving this contract via email, you automatically agree to the terms stated above and gain non exclusive rights to the Instrumental.

Professional Lease

THIS AGREEMENT, created and agreed upon on the %ORDERDATE% serves as a legally binding contract between Ilja Djomins (RGbeatz aka ID Gottank) (“Licensor”) and %YOUR NAME% (“Licensee”). Said agreement gives the Licensee non exclusive rights to the Instrumental called “%BEAT NAME%” (“Instrumental”).

Master Recording

The Licensor hereby gives the Licensee the right to record vocal and/or Instrumental additions to any or all parts of the Instrumental. Non Exclusive usage of the Instrumental also grants unlimited commercial use. If the Licensee wishes to use the Instrumental in other new compositions, the Licensee is not obligated to buy another license to use the Instrumental from the Licensor. Changes to the Instrumental are allowed, including changing the arrangement of the Instrumental or removing/adding any melodies and/or instruments.

 

Profitable Distribution

The Licensee is restricted to five (5) versions of the Master Recording for profitable use and distribution. The Licensee is limited to a distribution of five thousand (50,000) copies of the Master Recording, which can be distributed on any kind of recording media including, but not limited to: compact discs, DVDs, VHS videos, and all other forms of media (online and/or offline). This is effective from the date the Instrumental is purchased until the renewal or cancellation of the lease agreement. Non-profit usage is still allowed after the license has been fulfilled. The Licensor expressly forbids resale or other distribution of the Instrumental, either as is or any modification being sold in the same capacity as the Licensor for others to lease.

Performance Rights

The Licensor hereby grants to License an non exclusive license to use the Master Recording in performances, shows or concerts wherein profits are limited. The Licensee is allowed to earn up to five thousand ($5000) in total revenue through live performances, shows or concerts.

 

Synchronization Rights

Licensee may use Instrumental(s) in public performances such as both profitable live shows and monetized (profitable) videos (e.g. Youtube, Vimeo etc.), as well as profitable TV- and Radio-Airplay or video/audio streams such as Spotify/Apple Music, etc. Licensee is allowed to earn up to ten thousand ($10000) in total through public performances such as live shows or monetized videos.

In the case of TV-, radio-airplay or video/audio streams, licensee is allowed to have their song played on rotation on five (5) stations, be it radio stations, TV-stations or stream-based services such as Spotify or digital internet radio-stations. Licensee is allowed to earn twenty thousand dollars ($20,000) in total through these allowed rotations, besides the allowed sales limits for song sales and/or public performances such as live shows or monetized videos.

 

Audio Samples

If an Instrumental contains sampled material, the sample-clearing itself needs to be done by the Licensee.

Ownership

The Licensor maintains 100% full rights (copyright and ownership) of the Instrumental, and can continue to sell it exclusively and/or exclusively. The Licensee does not have the right or authority to sell or license the rights to the Instrumental whether in whole or part to any other party. In the event another individual purchases exclusive rights to your licensed Instrumental you will retain your non exclusive rights under the limitations listed in this agreement up until the end of your lease.

Credit

The Licensee must list the Licensor in the credits for any and all distributed material (also on online platforms). This can be done in or on the CD booklet or outside cover, in the song or video descriptions. The Licensee must give production credit to the Licensor as “RGbeatz” (e.g. “Beat prod. by RGbeatz (www.rgbeatz.com)” or “Music prod. by: RGbeatz (www.rgbeatz.com)”).

Licensee must supply the Licensor with at least one (1) copy of each final recording made using the Instrumental (download link to rgpbeatz@gmail.com).

By receiving this contract via email, you automatically agree to the terms stated above and gain non exclusive rights to the Instrumental.

Exclusive Rights

The FOLLOWING AGREEMENT, created between and entered by Ilja Djomins (RGbeatz, ID Gottank) (“Licensor”) and %BEAT NAME% (“Licensee”), on %ORDER_DATE. The agreement is legally binding between the two parties and provides the Licensee exclusives rights to the Instrumental This agreement grants the Licensee exclusive rights to the Instrumental “%BEAT NAME%” (“Instrumental”). All licenses granted are non-refundable and non-transferable.

Master Recording

The right to record vocal and /or instrumental synchronization to all parts of the instrumental are granted to the Licensee by the aforementioned Licensor. The Licensee understands that the usage of the Instrumental is unlimited under commercial grounds. In case the Licensee wishes to incorporate the Instrumental in new compositions, no license is needed to be purchased from the Licensor (to use the Instrumental).

Any editing of the Instrumental, change in Instrumental arrangement and additions and omissions of Instruments are granted to the Licensee under the agreement.

Profitable Distribution

Under the agreement, the Licensee is entitled to the distribution of unlimited units of the Master Recording. For profit-making purposes, distribution on any recording media, including CDs, DVDs, VHS videos as well as any other media formats are allowed.

The agreement completely restricts the Licensee from resale or any other distribution of the Instrumental as existing or in modified form as an Instrumental to be used by other Licensees.

Performance Rights

The Master Recording may be used in unlimited profitable ventures, including shows and concerts, with the entitlement to an exclusive license granted by the Licensor.

Synchronization Rights

The agreement grants rights for unlimited online streaming of music videos (YouTube, Vimeo etc.) for unlimited monetized video streams. The Licensee is granted with unlimited monetized audio streams to sites such as Spotify, Rhapsody, by the Licensor.

Audio Samples

Sample-clearing of an Instrumental is to be done by the Licensee, where an Instrumental has sampled material included.

Ownership

Purchase of exclusive rights provides the Licensor 100% full rights, both copyright and ownership of the Instrumental while forbidding any resell of it under non exclusive and/ or exclusive conditions.

Credit

Any and all distributed material, including online platforms must provide production credit to the Licensor.

Production credit can be provided in or on CD booklet or the CD cover. The format for crediting is “RGbeatz” (e.g. “Beat prod. by RGbeatz (www.rgbeatz.com)” or “Music prod. by: RGbeatz (www.rgbeatz.com)”).

The Licensor must be supplied with a minimum of one copy of each final recording involving the Instrumental (download link to rgpbeatz@gmail.com).

On reception of the contract electronically (i.e. e-mail), you are automatically entitled to full agreement to the terms stated above, with the providence of exclusive rights to the instrumental.

FREE downloads

To download any free beat, you must agree to the following terms and conditions (hereinafter referred to as “Agreement”):

  1. Usage. **YOU ABSOLUTELY CANNOT USE THE INSTRUMENTAL COMPOSITION OF WHICH YOU ARE ATTEMPTING TO DOWNLOAD (hereinafter referred to as ‘the Beat’) FOR ANY FOR-PROFIT, COMMERCIAL, OR FINANCIALLY EXPLOITATIVE USE. AN APPROPRIATE LICENSE MUST BE PURCHASED OR PROPERLY OBTAINED IN ORDER TO EXPLOIT THE BEAT.** Acceptable use without obtaining a license (hereinafter referred to as ‘Free Use’) includes:
  2. 2. Showcasing of a recording on the Beat in a non-profit manner through an internet-based medium such as Myspace, Youtube, or a personal webpage.
  3. 3. Performing a live act on the Beat in a completely non-profit show.
  4. 4. You will provide proper credit for the creation of the Beat by writing ‘Produced by RGbeatz’ on all official documents or surfaces released with tangible copies of a recording on the Beat. If there are absolutely no means to provide written credit, vocal credit is required by actually recording the phrase ‘Produced by RGbeatz’ within the first 30 seconds of the Beat.
  5. Liability. You hereby agree to indemnify, defend, and hold RGbeatz and all of our officers, directors, producers, owners, employees, agents, information providers, affiliates, and licensors (collectively, ‘RGbeatz’) harmless from and against any and all liability, losses, costs, and expenses (including attorneys’ fees) incurred in connection with any claim arising out of your use of the Beat, including but not limited to claims for defamation, violation of rights of publicity and/or privacy, copyright infringement, trademark infringement, and any claim or liability relating to the content, quality, or performance of materials in relation to the Beat. We reserve the right, at our own expense, to assume the exclusive defense and control of any matter otherwise subject to indemnification by you, and in such case you agree to cooperate with our defense of such claim.
  6. Termination. RGbeatz reserves the right to terminate this Agreement at any time or terminate your rights to use or distribute the Beat at any time for any reason.
  7. Legal Consequences. Any unauthorized use of the Beat, including unauthorized reselling, is considered a direct violation of the US Copyright Act of 1976 and is infringing upon the copyrights of the works of RGbeatz. Under the fullest extend of the law, RGbeatz reserves the right to take legal action or pursue financial compensation as a result of any breach or violation of this Agreement.
  8. Modifications. We reserve the right, at our sole discretion, to modify this Agreement and any fees, at any time, effective upon the date we post a new Agreement on the beat’s free download page. Your continued use of the Beat constitutes your binding acceptance of this Agreement, including any changes or modifications that we may make.
  • STANDARD LEASE

    $19

  •   untagged mp3+wav
  •   text
  •   Royalty
  •   copies
  •   paid
  •   shows
  •   profit shows
  •   TV / RADIO-Air play
  •   Profitable projects 1
  •   Credit must always be given
  •   Beat still can be sold
  •   Usage: 2 years
  • Premium Lease

    $45

  •   untagged mp3+wav
  •   text
  •   Royalty
  •   copies
  •   paid
  •   shows
  •   profit shows
  •   TV / RADIO-Air play
  •   Profitable projects 1
  •   Credit must always be given
  •   Beat still can be sold
  •   Usage: 2 years
  • Professional Lease

    $150

  •   untagged mp3+wav
  •   text
  •   Royalty
  •   copies
  •   paid
  •   shows
  •   profit shows
  •   TV / RADIO-Air play
  •   Profitable projects 1
  •   Credit must always be given
  •   Beat still can be sold
  •   Usage: 2 years
  • Exclusive Rights

    $(Price negotiable)

  •   untagged mp3+wav
  •   text
  •   Royalty
  •   copies
  •   paid
  •   shows
  •   profit shows
  •   TV / RADIO-Air play
  •   Profitable projects 1
  •   Credit must always be given
  •   Beat still can be sold
  •   Usage: 2 years

Terms and Conditions

(1)LEASING RIGHTS (Standard Lease) (if applicable) – Categorized as non-exclusive rights, a license to lease gives the buyer restricted creative, profit-generation and legal rights to the corresponding Instrumental(s) for one single profitable/commercial use (e.g. EP, LP, single or mix-tape) on any material or virtual medium such as Blu-ray discs, CDs, DVDs, Cassettes LPs, USB-Sticks or digital sales (e.g. Apple Music, Google-Play, etc.) with a limit of up to three thousand (3000) sales units, without royalties. If this limit is reached and/or continued commercial use is desired, new rights and sales limits must be purchased with the renewal of licensed use, otherwise a license upgrade is recommended for new terms (provided the Instrumental is not under exclusive rights after the lease period). If the Instrumental is no longer on the market and offered for any form of licensing and/or marked as purchased, license owners of all kinds of non-exclusive rights may upgrade their current license to the highest available non-exclusive license such as a professional lease, etc. If exclusive rights are no longer available, this does not affect license owners from being allowed to upgrade their non-exclusive license(s) to the highest form of non-exclusive license(s). Once Licensee has reached the allowed number of sales and any other restrictions related to their licence, no further sales are allowed. Licensee wholly agrees to remove their song from any marketplaces, stores, etc. to avoid the song from being sold or monetized continuously. A standard leasing license (non-exclusive) is delivered as a mixed, tag-free WAV-file, MP3-file and a contract/invoice, clarifying the rights licensed and the details of the purchase. An Instrumental may be leased to more than one individual simultaneously until exclusive rights are claimed by another customer for said Instrumental. Once an Instrumental has been sold with exclusive rights, it will no longer be available for any kind of leasing and licensing, excepting upgrades upon previously sold non-exclusive licenses to a higher non-exclusive license. Previous leasing/non-exclusive rights that have been sold before the Instrumental is sold exclusively are not affected and remain valid until the applicable sales cap has been reached. Leasing an Instrumental does not make the Licensee the sole owner or user of the Instrumental, nor does it give the Licensee any administrative rights to the Instrumental concerning legal actions against other license owners or anyone using any of the compositions offered by RGbeatz Productions (RGbeatz.com). The Licensee is not allowed to source or allow profitable radio-, video- or television-airplay or to perform the song on commercial/profitable shows under a standard lease license. In order to attain profitable public performance rights, the Licensee must own exclusive rights to the Instrumental or a higher non-exclusive license such as ‘premium leasing rights’ or ’professional leasing rights’, depending on the need to market and distribute the song(s) over the Instrumental(s). The licensor wholly forbids re-sale or any other distribution of the producer’s compositions, either in current form or any modification thereof. The Licensee may not sell, loan, rent, lease, assign, remix, re-arrange, remove any melodies, instruments, drum programming or transfer all or any of the products sold or the corresponding rights to another person or third party (example – Record Label, another production company, another producer, another artist), or use the Instrumental in any competitive product. This excludes companies the Licensee holds at least 50% ownership of. The Licensee understands that the licensor maintains 100% copyright and ownership of the original instrumental composition. Licensee may not use any Instrumental compositions as background element in TV, Film and DVD / computer game projects without obtaining written consent and a separate license agreement. Licensee must include on all productions and products the producer’s name (RGbeatz). Licensee agrees to include the producer’s name in all physical media or web presentations of a portion (e.g. pre-listening) or the entirety of the original instrumental composition that is being licensed in this agreement. Including but not limited to CD’s, CD covers, Cassette tapes, LP’s, Cards, etc. (Example credits: ‘Beat prod. by RGbeatz or ‘Music produced by RGbeatz (RGbeatz.com)’ … Music © 2018 All rights reserved. Used under license. Any displayed or downloadable MP3 files must include ‘Beat by RGbeatz’ within the file name. Furthermore, LEASING RIGHTS are subject to registrations in points (5) – (9).

(2)PREMIUM LEASING RIGHTS (Premium Lease) (if applicable) – Same restrictions as in point (2) STANDARD LEASING RIGHTS, but including the following differences: A premium lease comes as a mixed tag-free WAV-file, tag-free MP3-file and the corresponding separate track-lines in WAV-format (also known as tracked outs) along with a license agreement/receipt, stating the rights of use and details of purchase. Instead of an allowed circulation of up to 3.000 sales units for STANDARD LEASING RIGHTS, premium leasing rights allow up to 10.000 total sales units. Besides these allowed sales units (physical or digital song sales) which count as 1 profitable project, the customer/licensee is allowed to use the beat(s) for 1 further profitable project, either for public performances such as profitable live shows, or for monetized (profitable) videos (e.g. youtube, etc.). Licensee is allowed to earn up to $2000 in total through live shows or monetized videos. Licensee may split earnings for both types of public performances. In terms of TV-, radio-airplay or video/audio streams, licensee is allowed to have his song played on rotation on 2 stations total, either radio stations, TV-stations or stream-based services such as Spotify or digital internet radio-stations. Licensee is allowed to earn $3000 in total through these allowed rotations, besides his allowed sales limits for song sales and/or public performances such as live shows or monetized videos. If licensee reaches his sales limit allowed for rotations/streams, he needs to upgrade his license to exclusive rights, if still available. If exclusive rights are no longer available to the beat(s), licensee needs to report further earnings to licensor (exceeding his allowed sales/earnings limit for rotations/streams) and pay out 50% of all further earnings, made through rotations/streams, to licensor via paypal or bank-transfer, as soon as credited to licensee’s bank account or paypal account. Licensor at this point maintains the exclusive, worldwide, and unlimited right, to dis-allow further distribution, in form of rotations/streams, at his sole discretion. Once licensee has reached the limit of his allowed sales units and allowed total earnings, and/or further sales are desired, further rights with a new sales cap need to be obtained with a new license or license upgrade (if the beat has not yet been sold with exclusive rights and is still available). If the beat is no longer available and offered for any form of licensing and/or marked as sold, license owners of any type of non-exclusive rights may upgrade their current license to the highest available non-exclusive license such as a professional lease or unlimited lease, etc. If exclusive rights are no longer available, this does not affect license owners from being allowed to upgrade their non-exclusive license(s) to the highest form of non-exclusive license(s). Once Licensee has reached the allowed number of sales and any other limits concerning his license agreement, no more sales can be made after the sales cap is reached. Licensee expressly agrees to remove his song from any marketplaces, stores, etc. to avoid the song from being sold or monetized continuously. All other terms listed in point (2) STANDARD LEASING RIGHTS, which are not included in this point (3) in changed form or as an addition, count as general non-exclusive rights terms that are legally valid and relevant for Premium Leasing Rights. Furthermore, PREMIUM LEASING RIGHTS are subject to registrations in points (5) – (9).

(3)PROFESSIONAL LEASING RIGHTS (Professional Lease) (if applicable) – Same restrictions as in point (2) STANDARD LEASING RIGHTS and point (3) PREMIUM LEASING RIGHTS, but including the following differences: Professional Leasing Rights come as a mixed tag-free WAV-file, tag-free MP3-file and the corresponding separate track-lines in WAV-format (also known as tracked outs) along with a license agreement/receipt, stating the rights of use and details of purchase. Instead of an allowed circulation of up to 5.000 sales units for STANDARD LEASING RIGHTS, Professional Leasing Rights allow up to 50.000 total sales units. Besides these allowed sales units (physical or digital song sales) which count as 1 profitable project, the customer/licensee is allowed to use the beat(s) for 4 further profitable projects. Licensee may use beat composition(s) in song(s), used in public performances such as both profitable live shows and monetized (profitable) videos (e.g. youtube, etc.), as well as profitable TV- and Radio-Airplay or video/audio streams such as Spotify/Apple Music, etc. Licensee is allowed to earn up to $5000 in total through public performances such as live shows or monetized videos. Licensee may split earnings for both types of public performances and decide himself how he wants to use his total earnings limit for the 2 types of public performances that are allowed! If licensee decides to not sell his song under use of the allowed sales units as 1 profitable project, licensee may instead double his allowed total earnings limit for public performances that is defined in his license (this results in $10000 total earnings for Professional Leasing Rights through public performances). In this case Licensee waives his rights to sell his music as physical or digital copies (unit related). In terms of TV-, radio-airplay or video/audio streams, licensee is allowed to have his song played on rotation on 5 stations total, either radio stations, TV-stations or stream-based services such as Spotify or digital internet radio-stations. Licensee is allowed to earn $10000 in total through these allowed rotations, besides his allowed sales limits for song sales and/or public performances such as live shows or monetized videos. If licensee reaches his sales limit allowed for rotations/streams, he needs to upgrade his license to exclusive rights, if still available. If exclusive rights are no longer available to the beat(s), licensee needs to report further earnings to licensor (exceeding his allowed sales/earnings limit for rotations/streams) and pay out 50% of all further earnings, made through rotations/streams, to licensor via paypal or bank-transfer, as soon as credited to licensee’s bank account or paypal account. Licensor at this point maintains the exclusive, worldwide, and unlimited right, to dis-allow further distribution, in form of rotations/streams, at his sole discretion. Once licensee has reached the limit of his allowed sales units and allowed total earnings, and/or further sales are desired, further rights with a new sales cap need to be obtained with a new license or license upgrade (if the beat has not yet been sold with exclusive rights and is still available). If the beat is no longer available and offered for any form of licensing and/or marked as sold, license owners of any type of non-exclusive rights may upgrade their current license to the highest available non-exclusive license (if higher license is available). If exclusive rights are no longer available, this does not affect license owners from being allowed to upgrade their non-exclusive license(s) to the highest form of non-exclusive license(s). Once Licensee has reached the allowed number of sales and any other limits concerning his license agreement, no more sales can be made after the sales cap is reached. Licensee expressly agrees to remove his song from any marketplaces, stores, etc. to avoid the song from being sold or monetized continuously. All other terms listed in point (2) STANRADRLEASING RIGHTS and point (3) PREMIUM LEASING RIGHTS, which are not included in this point (5) in changed form or as an addition, count as general non-exclusive rights terms that are legally valid and relevant for Professional Leasing Rights. Furthermore, PROFESSIONAL LEASING RIGHTS are subject to registrations in points (5) – (9).

(4) EXCLUSIVE RIGHTS (if applicable) – The Customer is granted full artistic and commercial rights to the Instrumental after purchase of exclusive rights. Exclusive rights involve no sales cap or have an expiration date. The life span is unlimited, and the Instrumental purchased will not be for sale in any of our marketplaces. (All current non-exclusive rights licensees can use their license and is able to renew their non-exclusive license. They can either upgrade to a higher non-exclusive license or downgrade to a lower non-exclusive license. This is not subjected to terminability). On purchase, an exclusive rights purchase comes as a mixed tag-free WAV-file, a mixed MP3-file and the corresponding separate in WAV-format (also known as tracked outs). A license agreement/receipt, stating the rights of use and purchase details are also provided. The selling of his/her song over the Instrumental composition is allowed, whereas it is not subjected to any sales cap or any sales limitation, allowing worldwide commercial sales in any profitable form, without terminability. Transference of rights of the song over the Instrumental to any other party, including Record Labels, production companies or artists can be done. This doesn’t allow the transference of rights to the Instrumental-composition itself or any stand-alone Instrumental -composition product. The Licensee can use the song(s) over the Instrumental compositions as a background element in TV, Video, Film and DVD/computer game projects. This requires no written consent and/or another license agreement. On sale of an Instrumental with exclusive rights, it is not available for any future sale/licensing. Any former non-exclusive rights sold before the Instrumental the exclusive sale are not affected. Hence, is valid until the sales cap is reached. Non exclusive rights owners can upgrade their current non-exclusive license to any higher or lower non-exclusive license, on availability. This enables an Instrumental to be leased many times before exclusive rights sale is made. On exclusive rights sale, the Instrumental(s) is marked as ‘sold’ and no download and licensing option is available. A sold Instrumental can be removed from any website and marketing platform, on request, if the licensor had mentioned it’s sale beforehand, with the licensor’s agreement. The above statement is not applicable to demonstrational videos (e.g. YouTube, etc.) or demonstrational audio material which are available in intros, animations or as background music. This doesn’t provide any authority to the Licensee to dis-allow/forbid other non-exclusive license-owners from using the Instrumental-composition(s) for commercial/profitable purpose, neither can the licensee take legal actions against non-exclusive license owners. Any further sale under any circumstance is forbidden by the Licensor. The licensee is denied of transferring the rights to the Instrumentals composition to nay third-party, incase it isn’t a full song with artist’s/licensee’s own vocals or in the least the lyrics. The licensor holds 100% copyright and ownership of the original instrumental composition and the licensee buys exclusive sales rights and rights of usage to the Instrumental-composition(s). The intellectual property itself is not bought by the Licensee and is one hundred percent (100%) ownership of the Licensor, giving the licensor the administrative and legislative rights to the Instrumental-composition, while ensuring non-exclusive license owners administrative guidance and license-warranties. The Licensee is entitled to include on all productions, products and any in medium, the producer’s name (RGbeatz). Further he should display the producer’s name in all physical media or within web presentation such as pre-listening or the sum of the original instrumental composition subjected to license. This includes CD’s, CD covers, Booklets, Cassette tapes, LP’s, Cards, Cases, Boxes, etc. (Example credits: ‘Beat prod. by RGbeatz (ID Gottank)’ or ‘Music or Beat produced by RGbeatz (rgbeatz.com)’ … Music © 2018 All rights reserved. Used under license. All displayed or downloadable files such as MP3-files must include ‘Beat by RGbeatz’ within the file name.

EXCLUSIVE RIGHTS are subject to registrations under points (5) – point (10).

(5) CREDIT AGREEMENT – Credit must always be given to ‘RGBeatz’ in written form, for example ‘Prod. by RGbeatz (www.rgbeatz.com)’. By making a purchase of any kind or downloading demo beats, tagged beats, etc. or any similar content, the customer declares that he will give credit to the producer where possible in a written form (cd cover/booklet, song or video descriptions, youtube videos, file-names, mixtapes, albums, singles, remixes, social network pages such as facebook, music sites such as soundcloud, reverbnation, etc.). Proper credit is given as follows: (Example credits: ‘Production by RGbeatz (www.rgbeatz.com)’ or ‘Beat: RGbeatz (www.rgbeatz.com)’).. Used under license. Any displayed or downloadable files such as mp3s, wav files, etc. must include ‘Beat by RGbeatz’ within the file name. If beat-composition(s) and/or licensed material contain(s) any pre-recorded and mixed/embedded hook(s) (also known as chorus) by an artist (singer/rapper), the name of the artist is listed and can be found in the filename(s) or purchased items and on our website. If there is doubt about an artist’s name, you, the licensee or person entering into this agreement bound to the terms and conditions, has the responsibility to contact us for this information. In case a beat-composition contains such (a) hook(s), all credit as needed for ‘RGbeatz’ is also needed to be given in written form as follows (‘Hook by Artistname’ or ‘featuring Artistname’). All hooks come royalty free as RGbeatz (Ilja Djomins) owns full commercial/profitable rights to them. Beats with hooks being displayed as ‘instrumentals wth hooks’ are treated just like all other beat-compositions in regards of licensing and registrations in the terms & conditions. All artists that may be appearing on beats and performing hooks have been paid upfront for their work as ‘work for hire’ and are legally qualified to enter into this agreement without further agreement(s). No further license documentation by RGbeatz (Ilja Djomins) is required for proof of legal correctness.

(6) PAYMENTS – RGbeatz (Ilja Djomins) accepts PayPal, Major Credit Card Payments and Bank transfers. All payments are to be paid or are paid upfront before delivery of the product. E.g. this means at the same time that services or products by RGbeatz (Ilja Djomins) will only be delivered after receiving the payment(s), never upfront. Payments that are still pending and not being credited yet need to be credited first before delivery! Payment plans for services and products, can be set up individually. A verbal or written separate individual agreement therefore is necessary. Payment plans can vary from 2-10 payment steps, at least ¼ of the total price of the service(s)/product(s) needs to be paid upfront as a down-payment. If the customer does not fulfil his payment-plan obligations and does not complete the payment plan or keep up with the agreed payment rates and dates, there will be no refund of any payments made, due to the administrative work and possible financial losses. The beat will become available again for sale and the customer will keep an extended premium lease or professional lease to the concerned beat(s), in case the payment(s) he made, cover at least the amount necessary for this type of license! Beats that are being paid with payment plans will be put and marked ‘on hold’ on our website(s) and maketplaces, and may no longer be sold with exclusive rights, but may still be leased to multiple customers at the same time until the last payment step of the payment plan has been completed and the total amount of all items/services/products has been paid off. In case of a money-refund by any of the parties, the issued contract becomes invalid. Payments that are in any form held, refunded, cancelled or incorrect, by any of the parties, result that the issued contract(s)/license agreement(s) and all of the granted rights therein become invalid and reversed.

(7) PUBLIC PERFORMANCES (Shows/Videos/Streams/Radio-and TV-airplay) – Public performances are ‘live shows’, ‘live video streams’, ‘videos’, ‘audio streams’, ‘radio airplay’, tv airplay’ and ‘film music’ either as just music (standalone) or music in a movie, tv- or video-commercial, spot, etc. Non-profitable live performances or public performances (non profitable live shows, non profitable video streams, non-profitable audio streams) are allowed for any license type. Profitable performances are allowed with standard-lease (up to $1000 in total), premium-lease (up to $4000 in total), professional-lease ($20000 in total) and/or exclusive rights (unlimited in total). See appropriate/specific license description and terms. TV- and radio-airplay or streams are only allowed for unlimited-lease and/or exclusive rights. Profitable live shows are allowed for any license. All profitable public performances as well as allowed sales units, if applicable for license type, are royalty-free, this means licensee keeps 100% earnings/profits made.

(8) DELIVERY – Products, files and documents are delivered electronically via an automatic system if purchased via our instant delivery store. All products, files and documents are delivered electronically via e-mail as download links, hosted through a file-sending service such as dropbox.com, license agreement(s) may be sent as attached pdf-file(s). No tangible/physical copies will be delivered via postal mail for any available licenses. Please check your spam and junk folders if you don’t find our e-mails in your inbox. Make sure you don’t block pop-up windows in your browser or links in your email provider/software. If links are not clickable, copy and paste the link(s) in the address bar of your browser. If you experience any issues with download links, please try a different browser or computer/device. Most mobile phones and devices are not capable of downloading and saving files, in order to download the files/documents properly, please use a desktop computer such as a PC, Mac, Laptop or Macbook.

(9) GENERAL TERMS AND CONDITIONS – The license agreement(s) do not need to be signed by the customer(s)/licensee(s) and automatically become legally valid and active with purchase (payment needs to be fully credited) and receipt of purchased items. As displayed on our website, customer automatically agrees to all registrations/content that are listed in the terms & conditions, and enters this agreement with purchase. By making a payment, the customer (licensee) declares that he is fully aware of the entire content listed in the terms and conditions, he fully accepts and agrees to them. Full Terms are listed on our official web-page www.rgbeatz.com/terms . In case of possible changes in any of the listed points, or should one point become invalid or adjusted, all other points in the the terms and conditions stay unaffected and are still valid. Previously sold licenses and granted rights stay unaffected by future changes to the terms and conditions. RGbeatz (Ilja Djomins) has the legal right, but never the duty, to re-buy exclusive rights from the current exclusive rights license holder, for any amount of money, if the exclusive rights license holder agrees to it and wants to re-sell his exclusive rights back to the licensor. Interested parties, customers/clients, and licensees/license holders have the full responsibility to read the terms and conditions before making a purchase, and check for updates and/or changes in the terms and conditions on our website www.rgbeatz.com and www.rgbeatz.com/terms. RGbeatz (Ilja Djomins) is not obliged for addressing any changes in the terms and conditions publicly at any time or in any form. This company’s legal domicile is Trondheim / Norway. For any point listed in this written agreement, any restrictions thereof and the general legal relationship, Norwegian Law is applicable in any case. If a beat contains sampled material, the sample-clearing of itself needs to be done by the customer(s)/licensee(s), never by RGbeatz (Ilja Djomins). The customer(s)/licensee(s) understand(s) that they are responsible for clearing all samples that they choose to use and that the licensor cannot and will not be held liable for the misuse of any sampled material that the licensee uses in conjunction with the original instrumental composition that is being licensed in this agreement. The licensee(s) understand(s) and accept(s) that he/they only paid for the production work of the producer. The licensor does not claim to have/own any rights on any sampled material. Under no circumstances is a customer/licensee allowed to re-sell the beat itself or any modifications thereof, nor transfer the rights to the beat composition in any form to a third party, except for what is listed in the applicable license descriptions (specifically point 1-4 and all other restrictions). Rights that are given to a customer are not transferable and non-refundable, if a customer/licensee features another or other artist(s), not listed as license holders in his license agreement by date of purchase, the issued rights to the beat-composition for use in licensee’s/customer’s song(s), featuring the concerned artist(s), are non-transferrable to other’s and non-splittable, for any kind of non-exclusive license(s) and remain bound strictly and solely to customer/licensee. If any additional license agreement(s), new license agreement(s), or changes to (a) current license agreement(s), or any concerned additions/adjustments, etc. are desired, license agreement(s) or contract(s) must include these terms and conditions and refer to the points/content, listed in these terms and conditions in order to blend in with all required and necessary information/registrations for any license type, warranties, and general terms and conditions. All orders are final and cannot be changed/altered/adjusted/refunded afterwards, without licensor’s approval. No matter if exclusive rights or any other licenses are sold to a beat, RGbeatz (Ilja Djomins) will always be allowed to use that beat for own promotional uses, without limitation, worldwide and throughout the universe, without terminability. Therefore all beats sold exclusively may stay on the webpage or any websites and marketplaces they were offered, if licensor decides to. Download and license/purchase options to exclusively sold beats (exclusive rights) will be removed and the beat will be marked as ‘sold’ and become unavailable for any form of future licensing, except for non-exclusive license upgrading as defined in point (1) – point (4) for active non-exclusive license owners. Customer(s)/Licensee(s) may edit/alter the length of a beat, mixing/mastering of a beat (use of effects, change of volumes/levels, etc.), and general modifications, such as structure of instrumentation (seperate track lines), as they see fit, as long as they own a license to the beat and do not change the sound-structure of the beat itself, so that the beat becomes unrecognizable (e.g. only using drums or only using less than 70% of the entire sounds/instruments included in the original beat composition). It is also not allowed to use any parts, melodies, instruments, sounds, drum arrangements, etc. of the original instrumental composition for use in other compositions in a competitive product (for example: remixes or sampled music/beats) without written consent and licensor’s approval. Remixes using any material of the original beat composition, or musical versions covering the original beat composition, played with live instruments (orchestra, band, etc.) are only allowed for premium-lease owners, professional-lease owners or for exclusive rights license owners, in both cases only with written consent or a verbal agreement and licensor’s approval. After the delivery of the beat, RGbeatz (Ilja Djomins) will be unbound of any further responsibilities and legal obligations to the customer(s)/licensee(s), and legally freed of any further duties. Musical Composition(s)/Beat(s) by RGbeatz (Ilja Djomins) may NOT be uploaded on any website, marketplace or distributed in any form without his permission and written consent. RGbeatz (Ilja Djomins) is not responsible for any other website(s), marketplace(s), companie(s) or person(s) claiming to sell his beats and owning rights to them, nor is RGbeatz (Ilja Djomins) legally responsible, nor liable/amenable for any damage, harm, financial losses or legal issues, caused by anybody abusing, disregarding or disrespecting the listed terms and conditions. Anyone found to be abusing and violating these terms and conditions or any other legal aspect concerning RGbeatz (Ilja Djomins) music, content, or physical and/or intellectual property, will likely face a law suit and criminal punishment and be held responsible for copyright infringement.

(10) PRIVACY POLICY / DIGITAL DOWNLOAD POLICY / LIMITATION ON LIABILITY / TRADEMARKS AND COPYRIGHTS – We do not give out your information to anyone outside of our business and it is held privately on a secure server. We do not spam or overflow your inbox and will contact you between twice to six times a month with information regarding RGbeatz. By signing up to our mailing list, purchasing an item from us or becoming a member, you acknowledge you are on our mailing list as a recipient of our news and updates. Of course you may opt out and unsubscribe our newsletter at any time without need of sending us a message. All of our purchases and business activity is handled through PayPal and their secure servers or through national/international banks or institutions. RGbeatz (Ilja Djomins) does not see, use, or know your financial information and we never ask for it. Your information remains private, period. We are not responsible for any damages incurred by malicious attacks on the internet. All items marked for sale on this website and marketplaces we offer our products are for digital download only. We do not deliver any physical goods to you for purchases. As a result, all sales on digital downloadable goods are final and we cannot offer a refund for something we cannot take back. In rare cases of duplicate purchases, or other rare circumstances, we will match what you paid with an item of equal or similar value. Every circumstance is different and will be dependent upon review on outcomes of the situation at hand. RGbeatz  (Ilja Djomins) and ITS SUBSIDIARIES, AFFILIATES, LICENSORS, SERVICE PROVIDERS AND CONTENT PROVIDERS WILL NOT BE LIABLE FOR ANY INCIDENTAL, DIRECT, INDIRECT, PUNITIVE, ACTUAL, CONSEQUENTIAL, SPECIAL, EXEMPLARY, OR OTHER DAMAGES, INCLUDING LOSS OF REVENUE OR INCOME, PAIN AND SUFFERING, EMOTIONAL DISTRESS, OR SIMILAR DAMAGES, EVEN IF RGbeatz (Ilja Djomins) HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES. Trademarks, service marks, logos, and copyrighted works appearing on this site are the property of RGbeatz (Ilja Djomins) or the party that provided the trademarks, services marks, logos, and copyrighted work. RGbeatz (Ilja Djomins) and any party that provided trademarks, service marks, logos, and copyrighted works retain all rights with respect to any of their respective trademarks, service marks, logos, and copyrighted works appearing in this site.

(11) YOUTUBE POLICY (CONTENT ID) – The licensor maintains the unlimited, worldwide rights to register his beat-compositions with a content-ID program/institution such as AdRev, etc. (if you have questions about content ID or AdRev, please google ‘Content ID’ and ‘AdRev’) and be the sole administrator of youtube rights using such a content ID program. This is necessary and entitles licensor to maintain the administrative and legislative rights to the beat-composition, in order to be able to ensure non-exclusive and exclusive license owners administrative guidance and license-warranties. The main purpose is to stop people from stealing beats and using/monetizing them in videos without owning a license. What AdRev does is scan youtube videos for audio material produced by RGbeatz (Ilja Djomins) and automatically sends a copyright claim, which blocks your videos from monetization temporarily. Don’t worry! This claim is more a notification and will NOT harm your channel or video, nor does it force you to take down the video(s), the only thing it does, is disable the monetization option temporarily. Your video will keep playing without any other limitations. Anyone using free downloads and tagged demo downloads in videos on youtube can ignore this copyright notification as it doesn’t stop your video from playing and monetization wouldn’t be allowed for non-licensed beats at all (if monetization is desired, you can purchase a “premium-lease” or higher if beat is still available). IMPORTANT! – All license owners need to send me their link(s) to their video(s) and details of purchase so I can put their video(s) on the whitelist and remove the copyright claim within 24-48 hours – please send details/links to: rgpbeatz@gmail.com including your order number, PayPal transaction ID, link to video(s) and email address used for purchase. This is the exact message you might receive: Due to a copyright claim, you are no longer monetizing the following YouTube video. It is still playable on YouTube, but the copyright owner could choose to show ads on it. It may therefore be possible that you receive a copyright claim on youtube videos, even if you own a license. As listed above, please follow the instructions written in bold! Using a content ID program is the only way I can assure that only people with an appropriate beat-license are monetizing their videos rightfully and legally on youtube. It also protects your videos from receiving fraudulent claims by third parties that claim to own the administrative rights to the beats. If you have any questions concerning this issue, feel free to contact me anytime via email and I will respond in 24-48 business hours.

12) DRUM KITS / SOUNDS – All products sold as ‚drum-kits’, ‚drum-packs’, ‚drum-sounds’, ‚one-shots’, ‚sounds’, ‚sound–packs’, ‚libraries’, ‚expansions’, ‚plug-ins’ etc. on our page are royalty free. This means that you buy the non-exclusive rights to use them freely in any sound/audio and/or audiovisual production without additional compensation to RGbeatz (Ilja Djomins). You may not distribute, sell, assign, license or otherwise transfer any of the sounds or kits except as incorporated in a production. You may not distribute the sounds or loops without the production of music and/or vocal production added or provide instruction as to how to extract the sounds or loops from a production. There will be no refunds for drum-kits in case you don’t like the sounds. All drum samples have been professionally processed and we always deliver high quality products. The demo sounds in the small sample package can be downloaded for free to check the quality and format of the files and can be used for any production purpose on any medium. You may not re-sell or distribute the free sample-drum-sounds in any form on any website. You may not distribute the sounds or loops, either in native format or reformatted, filtered, re-synthesized or otherwise edited for use as sounds, multi-sounds, samples, loops, multi-samples in a sampler, sample playback unit, web site, computer or other media.

Explanation of Keys (see terms, listed in points above for details)

Licensee(s): also referred to as ‘customer(s)’, ‘client(s)’, ‘artist(s)’, ‘license owner(s)’ or ‘license holder(s)’ means the person(s), companie(s), organisation(s) and partie(s) that purchase(s) a product or license(s) from our website or marketplaces, which grants him/them/it rights to (a) beat-composition(s) produced by RGbeatz (Ilja Djomins)

Licensor: the licensor, also reffered to as ‘the producer’, ‘the composer’, formerly known as ‘RGbeatz’, ‘ID Gottank’, ‘Ilja Djomins’, is the rightful owner of copyrights and originator/owner of the intellectual property and all rights to the music, beat(s), beat-composition(s), instrumental(s) and original sound recording(s). The licensor sells rights to his music and products and is the first part in the cue of licensing. The licensor has the worldwide, unlimited legal right to enter into this agreement and sell rights to his music and licenses throughout the universe, without terminability and any restrictions.

Beat-Composition(s): also referred to as ‘beat(s)’, ‘instrumental(s)’, ‘composition(s)’, ‘sound-recording(s)’, is the instrumental music that is being offered for sale, or being sold as a product in form of commercial/profitable rights of use and distribution, or offered freely, displayed, playing, embedded, and/or offered for sale or download on our website and any other audible way. Beat-Composition(s) are instrumental -music, -tracks, -compositions, -productions and -musical material produced and composed by RGbeatz (Ilja Djomins)

License(s): also referred to as ‘license agreement’, ‘rights agreement’ or simply ‘agreement’ stands for the type of rights a licensee will be granted by making a purchase of one or multiple products offered for sale on our website(s) and/or marketplace(s). The individual types of licenses are specifically defined in point (1) – point (4) and are furthermore subject to registrations in point (7 – 12) in the Terms & Conditions.

Product(s): also referred to as ‘item(s)’ or ‘goods’ stand for ‘license(s)’, ‘beat-composition(s)’, ‘drum-kit(s)’, ‘sound(s)’ or any ‘service(s)’ offered for sale or free download on our website(s) and/or marketplace(s)

Non-Exclusive: also referred to as, ‘non-exclusive rights’, ‘limited rights’, ‘leasing’ or ‘leasing rights’ stand for rights, licenses and/or products, that are not solely granted or sold to one single person/company/organisation, but to multiple persons/companies/organisations at the same time. These ‘non-exclusive’ rights, licenses or products have more strict restrictions and limitations than exclusive rights, licenses or products, etc. ‘Non-exclusive’ rights, licenses or products are not restricted to the person, group, or area concerned. The term ‚non-exclusive’ means ‚not exclusive’.

Exclusive: also referred to as, ‘exclusive rights’, ‘buyout’ or ‘sole ownership’ stand for rights, licenses and/or products, that are solely granted or sold to one single person/company/organisation, but not to multiple persons/companies/organisations at the same time. These ‘exclusive’ rights, licenses or products have less strict restrictions and limitations than non-exclusive rights, licenses or products, etc. ‘Exclusive’ rights, licenses or products are restricted to the person, group, or area concerned.

DISCLAIMER:

If you have any questions concerning any of the points listed in this document or any content in the terms & conditions, you can contact us anytime via e-mail: rgpbeatz@gmail.com before making a purchase to our products or downloading/using any of our content/products, to avoid any misunderstanding. If any term, and/or corresponding content in these terms and conditions, is not understood fully, it is customer’s/licensee’s obligation to inform himself of the concerned terms to avoid any misunderstanding.

By making a purchase or downloading/using any of our content/products, you automatically confirm that you have read and understand the full terms and conditions and fully agree to the terms and conditions. Since these terms can be fully accessed, viewed and are listed on our official website(s) and marketplace(s), any issued license agreement automatically becomes valid with purchase or download/use of our content/products/property.